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Midday theater critic J. Wynn Rousuck reviews 'The Trip to Bountiful,' in a new production by Baltimore's Arena Players.
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Midday theater critic J. Wynn Rousuck reviews the new North American touring production of 'The Phantom of the Opera,' Broadway's longest-running show, at Baltimore's Hippodrome Theatre.
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Midday's theater critic J. Wynn Rousuck reviews the new production of Yasmina Reza's 'Art' at the Everyman Theatre.
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Midday theater critic J. Wynn Rousuck reviews Liza Jessie Peterson's powerful one-woman show about mass incarceration, at Baltimore's Center Stage.
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Midday theater critic J. Wynn Rousuck reviews Chesapeake Shakespeare Company's production of "Jane Austen's Persuasion," a new adaptation by Sarah Rose Kearns.
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Midday theater critic J. Wynn Rousuck reviews Mott & Bailey's new mash-up production of the Shakespeare tragedy and the alt-rock classic by My Chemical Romance, now at Baltimore's Mercury Theater performance space.
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Midday theater critic J. Wynn Rousuck reviews the new touring production of "Water for Elephants," the hit Broadway musical now playing at Baltimore's Hippodrome Theatre.
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Midday theater critic J. Wynn Rousuck reviews a new production of Suzan-Lori Parks' Pulitzer Prize-winning "Topdog/Underdog," at Spotlighters Theatre through Oct. 12.
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Midday theater critic J. Wynn Rousuck reviews the new production of August Wilson's Pulitzer Prize-winning classic, The Piano Lesson, at Everyman Theater.
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Midday theater critic J. Wynn Rousuck reviews the lively Scottish musical "Ceilidh" (pronounced KAY-lee) now playing at the M&T Bank Exchange performance space next to the Hippodrome Theater.