Theater

Midday theatre critic J. Wynn Rousuck reviews "Really Quite a Lot of Mechanisms," a darkly satirical puppet show at Baltimore's Theatre Project.

Vincent Lancisi launched Everyman Theatre in October 1990. He talks with Tom about why he’s retiring in June and the legacy he has built for theater arts in Baltimore.

Midday theater critic J. Wynn Rousuck reviews the new Motte & Bailey production of "Caesar / Americana" at the Fells Point Corner Theatre

Midday theater critic J. Wynn Rousuck reviews Iron Crow Theatre's new production of the hit Broadway rock musical, 'Next to Normal,' at the M&T Bank Exchange performance space in Baltimore.

Midday theater critic J. Wynn Rousuck reviews the Baltimore premiere of "Dance Nation," Clare Barron's high-energy drama about young female friendship, rivalry and ambition.

Midday theater critic J. Wynn Rousuck reviews Lena Waithe's debut play, "trinity," at Baltimore Center Stage

Longtime newspaper columnist, talk-show host and playwright Dan Rodricks talks about current events and his new play, No Mean City, the last in his trilogy of plays about Baltimore.

Midday theater critic J. Wynn Rousuck reviews "Fences," August Wilson's Pulitzer Prize-winning 1985 play, in a new production by Chesapeake Shakespeare Company.

Midday theater critic J. Wynn Rousuck reviews "Dawn," Vietnamese-American playwright Tuyết Thị Phạm's exploration of love, loss and historical trauma, in a world premiere production at Baltimore's Everyman Theatre.

Midday theater critic J. Wynn Rousuck joins us with her review of the hit Broadway musical "The Great Gatsby," in a new North America touring company production at Baltimore's Hippodrome.