Baltimore Center Stage

Midday theater critic J. Wynn Rousuck reviews Liza Jessie Peterson's powerful one-woman show about mass incarceration, at Baltimore's Center Stage.

Baltimore Center Stage's Managing Director Adam Frank and Artistic Director Stevie Walker-Webb join Midday to share their reasons for rejecting new federal funding guidelines from The National Endowment for the Arts.

Midday Theater critic, J. Wynn Rousuck reviews 'Oh Happy Day' at Baltimore Center Stage which was recently extended due to popular demand.

We go On the Record with the organizer and one of the featured visual artists of the new Indigenous Art Gallery at Center Stage -- a collaboration with the Baltimore American Indian Center. What debt does the exhibit space acknowledge?

Midday theater critic J. Wynn Rousuck spotlights how Cheryl Strayed's bestselling digest of her "Dear Sugar" personal advice columns has been movingly adapted to the stage.

Theater critic J. Wynn Rousuck spotlights playwright Regina Taylor's joyful musical tribute to traditional Black churches, in an Artscentric production at Baltimore Center Stage.

Theater critic J. Wynn Rousuck reviews playwright Jordan E. Cooper's wildly comic satire on being Black in America.

Theater critic J. Wynn Rousuck reviews Baltimore center Stage's new production of Thornton Wilder's Pulitzer Prize-winning 1938 drama about the people in a fictional American small town.

Our theater critic describes the lavish Center Stage production of playwright & poet Anne Carson's new adaptation of the classic Greek tragedy.

Our theater critic walks us through Eliana Pipes' pointed satire about cultural assimilation and the real costs of the American home-ownership dream.