Nov 15 Saturday
Every Saturday is Orange Out Saturday
Fans are encouraged to wear their best orange O's gear. Enjoy live music at the Coors Light Stage at Legends Park, orange-themed food and beverages, and more!
And to cap it off, the return of the iconic all-orange uniforms will be featured on select Saturday home games.
Walter Beasley is considered to be the Highest selling full-time Professor/Recording Artist in modern history. He is an award winning soprano saxophonist and singer, composer and producer, founder and CEO of Affable Publishing and Affable Records and was a professor at Berklee for several years.
Walter has been in the top 10 best-selling African American saxophonists in the world since 1998. Also, he released 12 educational DVD's, a book and 8 APPs. Later this year, Walter will be releasing a new album. After many years of his career, he continues to be an inspiration and role model for many people, including people from the new generations.
"Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. This special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession." - Branford Marsalis
Keystone Kards are not applicable for this show.
THE THANKSGIVING PLAY
BY LARISSA FASTHORSEDIRECTED BY SUZANNE BEAL
NOVEMBER 7 – DECEMBER 7
Preview November 6ASL Interpreted Performance November 14
Good intentions collide with absurd assumptions in this biting satire, as a troupe of performatively “woke” thespians scrambles to create a pageant that somehow manages to celebrate both Turkey Day and Native American Heritage Month without any cultural stumbles.
Lightning Round is an improv comedy game show where the contestants find out the rules as they’re playing. Come see what’s up and who will win!
Nov 16 Sunday
Back for its second year, Abbott and the Big Ten Conference are hosting the We Give Blood Drive competition to entice students, alumni, fans, and community members to rally around their Big Ten school to donate blood, save lives, and address the country's ongoing critical blood shortage.
From August 27 to December 5, anyone eligible to donate blood can do so anywhere, anytime in the U.S. to count for their school. The school with the most donations at the end of the competition will receive $1 million to advance student or community health.
New this year, everyone who donates or attempts to donate blood throughout the competition will receive an exclusive, limited-edition, Homefield-designed T-shirt specific to their school. To receive the shirt:
1. Show up to donate 2. Submit your donation (or attempt to donate) at BigTen.Org/Abbott or by texting DONATE to 222688 (ABBOTT). 3. Click the link sent to your email 4. Use your redemption code 5. Your shirt will be shipped to the address of your choice.
Last year, the University of Nebraska won, and is using the funds to advance student health on campus. The University of Maryland is competing this year and will host several blood drives on campus and in the surrounding area throughout the competition. To find a blood drive near you, please visit: https://bigten.org/abbott/maryland
This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.Presented as part of the Turn Again to the Earth environmental initiative.
In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.
Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.
More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.
Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.
Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.