Oct 16 Thursday
In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.
Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.
More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.
Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.
Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.
For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.
Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.
September 10 - December 6 (closed October 17 & November 26 -29)Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.Opening reception Wednesday, September 10, 7:30 p.m.
How have recent upheavals—from the pandemic to global conflicts, amplified by media—reshaped our private lives? How do personal memories become collective history? In a world forever changed, how do we find our way forward? Elaine Qiu’s awe-inspiring installation of painting, video, and sound invites visitors into a multi-sensory exploration of communal consciousness, connection, and healing in a fragmented, post-pandemic world.For parking information visit towson.edu/parking/visitors
On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.
The work in this exhibition compresses and expands expectations of depth as moderated by a post-image visual culture. The artists adhere to neither medium nor dimensional restrictions, but manipulate the viewer’s relationship to the image as a temporal document, compressed and fractured, through the singular eye of the lens. This expectation, no longer warranted in the age of computer generated images, becomes a fallacy of both the eye and of the language used to comprehend it. The image is untethered from representation and logical spatial association. Spatial continuity and discontinuity run amok in playful fracture--the work pushes and prods the amorphous opening left in the wake of this rupture; what was flat is unmoored of grounding, what was solid is now compressed.
Reception September 11 following the 6:30 p.m. lecture.For parking information visit towson.edu/parking/visitors
Mindfulness Meditation + Sports & Positive Psychology + Neuroscience + Group Coaching = mPEAK
mPEAK (Mindfulness, Performance Enhancement, Awareness & Knowledge) is a mindfulness training program for anyone seeking to achieve personal and professional goals, as well as attain new levels of performance and success. This cutting-edge training program is built around the latest brain research related to peak performance, resilience, focus, and “flow”.
The mPEAK program enhances the human capacity of mindfulness through established and empirically supported practices and exercises. Mindfulness is effective precisely because it is a way of being and relating to all aspects of life, rather than a specific technique or tool for a particular goal. As with physical training, this brain training program is based upon the understanding that optimal outcomes occur most often when participants continue to engage in the practices and exercises on a daily basis as a part of their training regimen.
This program was specially designed for athletes, first responders, leaders, entrepreneurs, executives, musicians, dancers, and busy professionals or parents who set big goals, face consistent challenges and stretch themselves towards excellence. mPEAK is appropriate for beginner and seasoned mindfulness practitioners alike. Previous meditation experience is not necessary to participate, but can facilitate a deeper learning experience.
On October 16th, Maryland Volunteer Lawyers for the Arts is celebrating our 40th birthday with a book launch and party that is all about the artists, volunteers, and partners that make us who we are today! Come for great vibes from Sounds by Seven with refreshing food and drink selections from local vendors. Leave with community connections, the commemorative book, and a renewed understanding of the intersection between art and law.
“Espinoza has an elegant touch...exquisitely done.” - All About Jazz
Joshua Espinoza [piano]Kris Monson [bass]Jaron Lamar Davis [drums]
The Baltimore-based Joshua Espinoza Trio blends jazz, pop, and folk music into a sound uniquely their own. Their eclectic concerts captivate audiences with their distinct original compositions paired with interpretations of masterpieces by The Beatles, The Eagles, Leonard Cohen, and other legendary songwriters. Their debut album "Journey Into Night" was released in 2019 to critical acclaim, and their 2023 album "Songs from Yesterday" was hailed as a "complete triumph" by All About Jazz. Enjoyed by listeners worldwide, their 2021 single "And So It Goes" broke into the Top 40 on Spotify's Global Jazz Charts.
Latino-American pianist and 2018 Ellis Marsalis International Jazz Piano Competition finalist Joshua Espinoza fuses the spontaneity of jazz with soaring folk melodies, shimmering impressionism, and head bopping backbeats. Espinoza explores the art of musical storytelling with the refinement of classical chamber music but the freedom of jazz. Espinoza has performed professionally with jazz luminaries such as Sean Jones, Warren Wolf, Miho Hazama, Jihye Lee, Paul Bollenback, John D’earth, Mike Pope, Chuck Redd, and Kris Funn.
In this captivating adaptation of Jane Austen's Persuasion by Sarah Rose Kearns, audiences are transported to a world of social intrigue, family drama, and enduring love. Anne Elliot's touching journey of resilience and second chances unfolds against the elegant and beloved backdrop of Regency-era England, laced with Austen's signature wit.
Persuasion will open September 26 with previews on September 24 and 25. The production will close on October 19. Thursday shows are only 10/9 and 10/16. Visit www.chesapeakeshakespeare.com for more information or call the box office at 410-244-8570.
by Anton Chekhov | adaptation by Stephen Nunns and Atlas Kazanmusic and lyrics by Stephen Nunns and Luci Thomas | directed by Stephen Nunns
Towson University takes Anton Chekhov's classic play about love and denial and approaches it in new, unexpected ways. In each of the four acts, the play is adapted in a different manner--from classic realism, to saturnine experimentation, to exuberant musical theatre. This is a new perspective—or four new perspectives—on Chekhov and his work.
Proceeds benefit the TU Foundation.Run time to be announced. October 13, 14 and 16 free TU student rush tickets.TU students can claim free performance tickets by presenting their OneCards at the box office starting one hour before the performance on October 13, 14 and 16. If student rush tickets sell out, students can purchase tickets at a discounted rate.