Community Calendar

Every Saturday is Orange Out Saturday

Fans are encouraged to wear their best orange O's gear. Enjoy live music at the Coors Light Stage at Legends Park, orange-themed food and beverages, and more!

And to cap it off, the return of the iconic all-orange uniforms will be featured on select Saturday home games.

THE SHARK IS BROKEN

BY IAN SHAW and JOSEPH NIXON
DIRECTED BY Gené Fouché

SEPTEMBER 12 – OCTOBER 5

Preview September 11
ASL Interpreted performance September 19

It’s 1974 and the hit movie JAWS is being filmed. Well, it would be, if the prop shark wasn’t a mechanical mess. In this laugh-out-loud comedy, testy, feuding costars Robert Shaw, Richard Dreyfuss, and Roy Scheider take center stage as booze flows, egos clash, and tempers flare. The actors pray for an end to the shoot, not knowing it will change their lives forever.

In this captivating adaptation of Jane Austen's Persuasion by Sarah Rose Kearns, audiences are transported to a world of social intrigue, family drama, and enduring love. Anne Elliot's touching journey of resilience and second chances unfolds against the elegant and beloved backdrop of Regency-era England, laced with Austen's signature wit.

Persuasion will open September 26 with previews on September 24 and 25. The production will close on October 19. Thursday shows are only 10/9 and 10/16.
Visit www.chesapeakeshakespeare.com for more information or call the box office at 410-244-8570.

Since winning American Idol 20 years ago, Fantasia Barrino’s had a career that has seen her win a Grammy, multiple Billboard Music Awards and a slew of other honors. Fantasia is an uninhibited, intuitive soul singer with a truly distinctive sense of phrasing and boundless passion.

Ledisi, a Grammy-winning vocalist, has wowed fans with her unparalleled vocals for over twenty years. Ledisi has performed alongside Dave Matthews, Gary Clark Jr, Vince Gill, Keb Mo, and Maxwell as well as jazz greats Herbie Hancock, Robert Glasper, and Patti Austin.

A talented singer, songwriter and arranger, Mia Samone has been crafting songs and harmonies since the age of 13. Her work has been featured on BET shows and her collaborations with various artists and musicians have made her a versatile singer with a deep appreciation for all genres. Mia's vocal tone ranges from sweet angelic falsetto to powerful soul-grabbing depths, to a deep, warm mezzo.

Back for its second year, Abbott and the Big Ten Conference are hosting the We Give Blood Drive competition to entice students, alumni, fans, and community members to rally around their Big Ten school to donate blood, save lives, and address the country's ongoing critical blood shortage.

From August 27 to December 5, anyone eligible to donate blood can do so anywhere, anytime in the U.S. to count for their school. The school with the most donations at the end of the competition will receive $1 million to advance student or community health.

New this year, everyone who donates or attempts to donate blood throughout the competition will receive an exclusive, limited-edition, Homefield-designed T-shirt specific to their school. To receive the shirt:

1. Show up to donate
2. Submit your donation (or attempt to donate) at BigTen.Org/Abbott or by texting DONATE to 222688 (ABBOTT).
3. Click the link sent to your email
4. Use your redemption code
5. Your shirt will be shipped to the address of your choice. 

Last year, the University of Nebraska won, and is using the funds to advance student health on campus. The University of Maryland is competing this year and will host several blood drives on campus and in the surrounding area throughout the competition. To find a blood drive near you, please visit: https://bigten.org/abbott/maryland

This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Presented as part of the Turn Again to the Earth environmental initiative.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.

Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.

For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.

Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.

On View: September 12 - December 6 (closed Oct. 17 & Nov. 25 - 29)
Gallery Hours: Tuesday - Saturday, 11 a.m. - 8 p.m.

The work in this exhibition compresses and expands expectations of depth as moderated by a post-image visual culture. The artists adhere to neither medium nor dimensional restrictions, but manipulate the viewer’s relationship to the image as a temporal document, compressed and fractured, through the singular eye of the lens. This expectation, no longer warranted in the age of computer generated images, becomes a fallacy of both the eye and of the language used to comprehend it. The image is untethered from representation and logical spatial association. Spatial continuity and discontinuity run amok in playful fracture--the work pushes and prods the amorphous opening left in the wake of this rupture; what was flat is unmoored of grounding, what was solid is now compressed.

Reception September 11 following the 6:30 p.m. lecture.
For parking information visit towson.edu/parking/visitors