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Sidewalk Serenades

This pandemic’s been a tough time for musicians. Clubs are closed, and gigs are cancelled. But our friends at Baltimore’s Creative Alliance had a lightbulb moment. They thought: These musicians that we usually book on our stage, what if we start booking them on stoops and porches? They’d be outdoors, the crowds would be small, just the neighbors on the block. People would be masked up and socially distant. But it’d be a little moment of community, and it’d give these musicians some work.

They called the series, Sidewalk Serenades. And it ended up bringing little spontaneous moments of genuine joy to Baltimore neighborhoods during a really dark time. Out of the Blocks decided to book some of these Sidewalk Serenades on different blocks around the city. And we recorded them for this special episode.  Mask up & head out with us for some great live music and neighborhood togetherness!

Aaron creates and produces original radio programs for WYPR. His current project is the neighborhood documentary series, Out of the Blocks, which earned the 2018 national Edward R Murrow Award. His past work includes the long-running weekly cultural program, The Signal, and the Smithsonian Folkways Recordings series, Tapestry of the Times. Aaron's stories have aired nationally on NPR's Morning Edition, All Things Considered, PRI’s Studio 360, & The World.
Wendel Patrick has been referred to as "David Foster Wallace reincarnated as a sound engineer" by Urbanite Magazine and as "wildly talented" by the Baltimore Sun. He has been referred to by XLR8R magazine as "a hip-hop producer that could easily make any fan of Squarepusher, Boards of Canada, or Madlib flip out." The alter-ego of classical and jazz pianist Kevin Gift, Wendel Patrick is rapidly making a name for himself as a producer to be recognized. His five albums, "Sound:", "Forthcoming", "JDWP", "Passage" and "Travel" were all produced without the use of samples, with Patrick playing every note of every instrument. What is perhaps most astounding and perplexing to listeners is that there are actually no instruments...he crafts all of the instruments, and every note, electronically.