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The Music of Out of the Blocks

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Wendel Patrick is the composer, producer and performer of the musical score for every episode of Out of the Blocks. In this special installment, he talks about some of his favorite compositions from the show and delves into how (and why) he makes the music.  Wendel can span musical genres from classical to hip hop with compositions that take the listener on an emotional journey full of surprises:  A cell-phone ringtone symphony? Check. A hair-clipper fugue? Check.  This is a must-listen for aspiring music producers or anyone who wants to hear extended music cuts from Out of the Blocks.

Funding for podcast production provided by the Corporation for Public Broadcasting and PRX, the Public Radio Exchange. Out of the Blocks is produced with grant funding from the Cohen Opportunity Fund, the William G. Baker, Jr. Memorial Fund (creator of the Baker Artist Portfolios), Sig and Barbara Shapiro, Patricia and Mark Joseph, Jonathan Melnick, The Andy and Sana Brooks Family Foundation, The Hoffberger Foundation, Associated Jewish Charities,  The John J. Leidy Foundation, The Kenneth S. Battye Charitable Trust, and The Muse Web Foundation.

Aaron creates and produces original radio programs for WYPR. His current project is the neighborhood documentary series, Out of the Blocks, which earned the 2018 national Edward R Murrow Award. His past work includes the long-running weekly cultural program, The Signal, and the Smithsonian Folkways Recordings series, Tapestry of the Times. Aaron's stories have aired nationally on NPR's Morning Edition, All Things Considered, PRI’s Studio 360, & The World.
Wendel Patrick has been referred to as "David Foster Wallace reincarnated as a sound engineer" by Urbanite Magazine and as "wildly talented" by the Baltimore Sun. He has been referred to by XLR8R magazine as "a hip-hop producer that could easily make any fan of Squarepusher, Boards of Canada, or Madlib flip out." The alter-ego of classical and jazz pianist Kevin Gift, Wendel Patrick is rapidly making a name for himself as a producer to be recognized. His five albums, "Sound:", "Forthcoming", "JDWP", "Passage" and "Travel" were all produced without the use of samples, with Patrick playing every note of every instrument. What is perhaps most astounding and perplexing to listeners is that there are actually no instruments...he crafts all of the instruments, and every note, electronically.