Community Calendar

When was the last time you unplugged?

Disconnect, slow down, and rediscover what it means to be present inside the BMA’s historic Spring House, where acclaimed American conceptual artist Rachel Lee Hovnanian presents the Nature Deficit Disorder immersion room this spring. The powerful installation challenges our digital dependence and rekindles our connection to the natural world.

Inspired by journalist Richard Louv’s term “nature deficit disorder,” described as a growing disconnection from nature, often linked to diminished focus and negative moods, Hovnanian transforms the Spring House into a simulated nighttime forest.

“My work has long explored how technology shapes attention, mental health, and human connection. This installation emerged from my observations of society’s growing digital dependence, alongside my own experience of it.” –Rachel Lee Hovnanian
Away from the constant ping of notifications and endless scrolling, surrender your phone, surround yourself with fir trees, and let lantern light guide you. Hear the crunch of leaves beneath your feet and watch the flicker of a campfire casting shadows across the room.

In a world where we check our phones every other minute, Hovnanian invites you to linger for at least five minutes in the immersion room and consider what is lost when we give our attention to apps and devices rather than real-life experiences.

“What do we lose when our lives are constantly mediated by screens? I hope to offer a pause—an invitation to rediscover how it feels to be fully present.” –Rachel Lee Hovnanian

Between 1946 and 1953, Henri Matisse created 28 lithographic portraits for Poésies Antillaises (Antillean Poetry), a book of poems by John-Antoine Nau. Published posthumously in 1972, this rare volume remains one of Matisse’s least-known illustrated works.

Inspired by his brief 1930 visit to Martinique, Matisse translated Nau’s evocative poems—celebrating travel, music, and oceanic landscapes—into vibrant portraits. These reflect the artist’s collaborations with notable Caribbean and international models and are presented alongside works by two leading artists from Martinique and Guadeloupe, Germaine Casse and Serge Hélénon. This focus exhibition illuminates aspects of the transatlantic artistic circles active during the late French colonial period.

Exhibition
Transformations: Lain Singh Bangdel, Art, Nepal
February 4 – May 16 (closed March 15-22)
Monday – Saturday 11 am – 4 pm
Asian Arts Gallery, Center for the Arts, Towson University
1 Fine Arts Drive, Towson, MD 21204

Explore the remarkable artistic journey and cultural legacy of Lain Singh Bangdel (1919–2002), widely regarded as the “Father of Modern Art” in Nepal. This collection of paintings—spanning the 1940s to the 1980s— reflects and reframes the cultural, political, and emotional realities of Bangdel’s time and traces his evolving vision as he navigated multiple worlds: colonial and postcolonial South Asia, cosmopolitan Europe, and an emerging modern Nepal.

On View February 4 - May 16 (closed March 15 - 22)

Explore the remarkable artistic journey and cultural legacy of Lain Singh Bangdel (1919–2002), widely regarded as the “Father of Modern Art” in Nepal. This collection of paintings—spanning the 1940s to the 1980s— reflects and reframes the cultural, political, and emotional realities of Bangdel’s time and traces his evolving vision as he navigated multiple worlds: colonial and postcolonial South Asia, cosmopolitan Europe, and an emerging modern Nepal.

Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.

This journal discussion brings together a seminal article on pharmacologic treatment considerations among Orthodox Jewish adults (Feinberg, early 2000s) and a more recent comparative study examining mental health diagnoses, symptoms, treatment, and medication use within Orthodox Jewish populations. Offers 1.0 Category II CEUs through JCS Institute for Professional Development.

Enjoy music of Cambodia and the world, while celebrating TU students who are expanding their musical horizons. The Cambodian Classical Ensemble performs on pin peat instruments, a centuries’ old tradition that accompanies Khmer classical dance and sacred, royal, and religious ceremonies. The World Music Ensemble plays arrangements from various non-Western musical traditions.

Members of the singing public are welcome to join Baltimore Choral Arts at Peabody for Brahms' Ein deutsches Requiem. In this unique come-and-sing workshop format, you will be a member of the audience AND a member of the choir.

This free three-day workshop will give you a front row seat as we "pull back the curtain" to share how a major choral-orchestral work is prepared. The skilled students in Peabody's graduate conducting studio, led by Baltimore's own Marin Alsop, will lead the student orchestra through movements of the Requiem as we sing the choral parts to this beloved piece.

Schedule

Wednesday, April 29: 7-9 pm at Grace United Methodist Church

Sunday, May 3: 4-5:30 pm; 6-9 pm at Peabody Institute

Monday, May 4: 7-10 pm at Peabody Institute

Please note that participants are expected to attend all three days of the workshop.

Since touring with Ray Brown in early 2000s, pianist Larry Fuller has built a reputation as one of the hardest-swinging pianists on the scene.

A Yamaha-endorsed, GRAMMY-nominated artist, Fuller honed his craft the 'old school way' - on the bandstand performing in and recording with legendary ensembles: Ray Brown Trio, Jeff Hamilton Trio, John Pizzarelli Quartet.

Harnessing these extraordinary bandstand experiences – Fuller leads the New York City-based Larry Fuller Trio, presenting a musical program consistently praised for its emotive swinging style, monster technique, and program versatility.

At Keystone Korner, expect to hear anything from Stevie Wonder to Oscar Peterson, Wes Montgomery to George Gershwin, Ray Brown to Joni Mitchell, and much more!

“For anyone steeped in jazz music, it just can’t get much better.” — Downbeat Magazine Critic, Mark Sheldon

Larry Fuller, piano
Lorin Cohen, bass
Carmen Intorre, Jr., drums

Since touring with Ray Brown in early 2000s, pianist Larry Fuller has built a reputation as one of the hardest-swinging pianists on the scene. A Yamaha-endorsed, GRAMMY-nominated artist, Fuller honed his craft the 'old school way' - on the bandstand performing in and recording with legendary ensembles: Ray Brown Trio, Jeff Hamilton Trio, John Pizzarelli Quartet, Houston Person Quartet, and as musical director and pianist for Ernestine Anderson. Harnessing these extraordinary bandstand experiences – Fuller leads the New York City-based Larry Fuller Trio. He presents a musical program consistently praised for its emotive swinging style, monster technique, and program versatility. At Keystone Korner, expect to hear anything from Stevie Wonder to Oscar Peterson, Wes Montgomery to George Gershwin, Ray Brown to Joni Mitchell, and much more!