The Weekly Reader | WYPR

The Weekly Reader

Knopf (l); Ballantine (r)

On this edition of The Weekly Reader, two new novels about the perils of trying to fit in: Marion Winik reviews Rufi Thorpe's The Knockout Queen, and Frances Cha's If I had Your Face.

Knopf (l); Ballantine (r)

On this edition of The Weekly Reader, two new novels about the perils of trying to fit in: Marion Winik reviews Rufi Thorpe's The Knockout Queen, and Frances Cha's If I had Your Face.

Knopf (l); Ballantine (r)

On this edition of The Weekly Reader, two new novels about the perils of trying to fit in: Marion Winik reviews Rufi Thorpe's The Knockout Queen, and Frances Cha's If I had Your Face.

Knopf (l); Ballantine (r)

On this edition of The Weekly Reader, two new novels about the perils of trying to fit in: Marion Winik reviews Rufi Thorpe's The Knockout Queen, and Frances Cha's If I had Your Face.

Simon and Schuster (l); Doubleday (r)

On this edition of The Weekly Reader, we review two new books about two very different wars. Marion Winik on Paul Yoon's Run Me to Earth and Ariel Lawhon's Code Name Helene.

Knopf (l); Berkley (r)

On this edition of The Weekly Reader, we review two new, dystopian novels that imagine a world in the throws of a pandemic: Marion Winik on Lawrence Wright's The End of October and Sarah Pinsker's A Song for a New Day.

Knopf (l); Algonquin (r)

On this edition of The Weekly Reader, our book critic Marion Winik reviews two new great novels by two great writers: Anne Tyler's Redhead by the Side of the Road and Julia Alvarez's Afterlife.

Knopf (l); Harper Collins (r)

Reading is often considered a form of escapism, a break from the real world around us, which, sounds pretty good right now. On this edition of The Weekly Reader, we present two new novels that will take you away from your own day to day reality, and maybe, remind you that things can always be a little worse. Marion Winik reviews Emily St. John Mandel's The Glass Hotel and Elizabeth Wetmore's Valentine

Little Brown

On this edition of The Weekly Reader, we review two new memoirs that remind us how important a sense of humor can be to surviving both trauma and drama. Marion Winik on Leslie Gray Streeter's Black Widow and Alia Volz's Home Baked.

Delacorte (l); Gallery (r)

On this edition of The Weekly Reader, our book critic Marion Winik reviews Helen Fremont's acclaimed 1999 memoir After Long Silence and her newly released follow-up, The Escape Artist.

One World (l); Celadon (r)

On this edition of The Weekly Reader, our book critic Marion Winik reviews two new novels about lost loved ones and the pain of finding that we often don't know people as well as we think we do. Featured are Kevin Nguyen's New Waves and Alexis Schaitkin's Saint X

Lisa Morgan

On this edition of The Weekly Reader, we preview Douglas Stuart's debut novel Shuggie Bain, a profoundly affecting story about growing up amidst the poverty, violence, and alcoholism in a crumbling Glasgow housing scheme in the 1980s.

Farrar, Straus and Giroux (l); Graydon House (r)

On this episode of The Weekly Reader, our book critic Marion Winik reviews two new novels that look at the dark side of the tech boom: Anna Wiener's Uncanny Valley and Megan Angelo's Followers.

Doubleday (l); Putnam (r)

On this edition of The Weekly Reader, our book critic Marion Winik reviews two new novels that explore the delicate dance of girls in group settings and the dangers of getting what you think you want: Clare Beams The Illness Lesson and Kate Weinberg's debut novel The Truants.

Harper (l); Ballantine (r)

Want to get away? On this edition of The Weekly Reader, we review two new novels that take us to exotic locales, replete with intriguing characters and plenty of plot twists. Our book critic Marion Winik shares her thoughts on Isabel Allende's A Long Petal of the Sea and Christopher Bollen's A Beautiful Crime.

Voice

On this edition of The Weekly Reader, book critic Marion Winik reviews Arcadia by Lauren Groff. The book tells the story of a fictional hippie commune in New York State in the 60s, 70s and 80s, and its slow devolution into a dystopian nightmare.

Harper (l); Grand Central (r)

On this edition of The Weekly Reader, we review two new books that explore important topics that will appeal to inquisitive readers. Marion Winik shares her thoughts on Peggy Orenstein's Boys and Sex, and Susannah Cahalan's The Great Pretender. 

Putnam

On this edition of The Weekly Reader, we review Kiley Reid's debut novel Such a Fun Age. The book is a clever, thoughtful examination of race and racism in America, and, it's our selection for the next meeting of The Weekly Reader Book Club.  

Little Brown (l); Farrar Strauss Giroux (r)

On this edition of The Weekly Reader, we review two new, important memoirs that don't shy away from ugly truths: Ronan Farrow's Catch and Kill and Chris Rush's The Light Years.

Houghton Mifflin (l); Riverhead (r)

On this edition of The Weekly Reader, we review two new novels that might just make you appreciate your own family relationships a little bit more: Jami Attenberg's All This Could be Yours and Jacqueline Woodson's Red at the Bone.

Black Cat (l); Doubleday (r)

On this edition of The Weekly Reader our book critic Marion Winik reviews the winners of this year's Booker Prize for Fiction, Bernadine Evaristo's Girl, Woman, Other, and Margaret Atwood's The Testaments.

Serpent's Tail

Since news of the Harvey Weinstein sexual abuse scandal broke in 2017, the phrase "Me Too" has become standard shorthand for inappropriate sexual behavior. On this edition of The Weekly Reader, we review Mary Gaitskills' This Is Pleasure, a new novel with a decidedly "fresh" take on the issue.

Scribner (l); Ecco (r)

On this episode of The Weekly Reader, we preview Myla Goldberg's Feast Your Eyes, our pick for the December meeting of our Book Club, and we also review Kevin Wilson's latest novel, Nothing to See Here.

Random House

On this edition of The Weekly Reader, we celebrate the return of one of literature's most memorable recent characters, Olive Kitteridge. Book critic Marion Winik reviews Elizabeth Strout's Olive, Again.

Houghton Mifflin Harcourt (l); Counterpoint (r)

On this edition of The Weekly Reader, we review two new memoirs about growing up in extraordinary circumstances. Marion Winik shares her thoughts on Adrienne Brodeur's Wild Game and Anthony Siegel's Criminals.

Simon and Schuster

On this edition of The Weekly Reader, we review the next selection for The Weekly Reader Book Club, Susan Orlean's The Library Book. It's part investigative journalism, part memoir, and part love letter to libraries, books, and the power of the written word.

For more information about the next meeting of The Weekly Reader Book Club on Thursday, November 14th at 7pm at Bird in Hand, click here. 

Scribner

On this edition of The Weekly Reader, we review Stephen King's latest thriller, The Institute. Plus, our book critic Marion Winik recalls two other books by the master of the macabre, the novel 11/22/63, and the indispensable classic On Writing.

Scribner

On this edition of The Weekly Reader, it's all about True Crime! We review Rachel Monroe's Savage Appetites, a new work of narrative non-fiction about women who love true crime stories, plus, we revisit two books inspired by Charlie Manson and The Manson Family, The Girls, by Emma Cline, and Cruel Beautiful World by Caroline Leavitt.

Harper(l) Algonquin(r)

Who doesn't want to live in a mansion? On this edition of The Weekly Reader, we review Ann Patchett's latest novel The Dutch House, and we remember Bill Roorbach's Life Among Giants, which came out in 2012.

Simon & Schuster (l) Europa Editions (r)

On this edition of The Weekly Reader, we feature two new novels that explore the often complicated terrain of motherhood. Our book critic Marion Winik on The Need by Helen Phillips and Strike the Heart by Amelie Nothomb.

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