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Working behind the Wall: Conversations with Jailers

If you heard the last episode of the podcast, you’ll remember we spent some time on the block where the release door of the Baltimore Jail lets out onto the street. We met some guys who’d been locked up in the jail multiple times, we talked a lot about the jail, but we didn’t talk with anyone who actually works in there. Well, that’s what this episode is about: Conversations about work and life with the warden, two correctional officers, and the commissioner of pretrial detention and services at the Baltimore City Detention Center.

Out of the Blocks is supported by PRX and produced with grant funding from the Corporation for Public Broadcasting, the National Endowment for the Arts, the Cohen Opportunity Fund, The Hoffberger Foundation, Patricia and Mark Joseph, Shelter Foundation, Inc, The Kenneth S Battye Charitable Trust, The Sana and Andy Brooks Family Fund, The Muse Web Foundation, and the William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Portfolios

Aaron creates and produces original radio programs and podcasts for WYPR. His current project is The Maryland Curiosity Bureau. Aaron's neighborhood documentary series, Out of the Blocks, earned the 2018 national Edward R Murrow Award. His past work includes the long-running weekly cultural program, The Signal, and the Smithsonian Folkways Recordings series, Tapestry of the Times. Aaron's stories have aired nationally on NPR's Morning Edition and All Things Considered.
Wendel Patrick has been referred to as "David Foster Wallace reincarnated as a sound engineer" by Urbanite Magazine and as "wildly talented" by the Baltimore Sun. He has been referred to by XLR8R magazine as "a hip-hop producer that could easily make any fan of Squarepusher, Boards of Canada, or Madlib flip out." The alter-ego of classical and jazz pianist Kevin Gift, Wendel Patrick is rapidly making a name for himself as a producer to be recognized. His five albums, "Sound:", "Forthcoming", "JDWP", "Passage" and "Travel" were all produced without the use of samples, with Patrick playing every note of every instrument. What is perhaps most astounding and perplexing to listeners is that there are actually no instruments...he crafts all of the instruments, and every note, electronically.