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Pennsylvania Avenue, part 3: It Still Gets Still

In its prime, Pennsylvania Avenue was the black entertainment hub of Baltimore, but there’s a whole generation that doesn’t know about that heyday. The Jubilee Arts program aims to bridge the gap. We meet Jade Davis of Jubilee Arts, who teaches a children’s ballet class on the corner of Pennsylvania Ave and Presstman Street, and we get a historical perspective from community organizers Todd Marcus and Amelia Harris of Intersection of Change. We also get two takes on opiate addiction, one from a pharmacy that has to watch out for counterfeit prescriptions, and one from a former drug counselor who’s currently battling his own addiction.

Out of the Blocks is supported by PRX and produced with grant funding from the Corporation for Public Broadcasting, the National Endowment for the Arts, the Cohen Opportunity Fund, The Hoffberger Foundation, Patricia and Mark Joseph, Shelter Foundation, Inc, The Kenneth S Battye Charitable Trust, The Muse Web Foundation, and the William G. Baker, Jr. Memorial Fund, creator of the Baker Artist Portfolios.

Aaron creates and produces original radio programs for WYPR. His current project is the neighborhood documentary series, Out of the Blocks, which earned the 2018 national Edward R Murrow Award. His past work includes the long-running weekly cultural program, The Signal, and the Smithsonian Folkways Recordings series, Tapestry of the Times. Aaron's stories have aired nationally on NPR's Morning Edition, All Things Considered, PRI’s Studio 360, & The World.
Wendel Patrick has been referred to as "David Foster Wallace reincarnated as a sound engineer" by Urbanite Magazine and as "wildly talented" by the Baltimore Sun. He has been referred to by XLR8R magazine as "a hip-hop producer that could easily make any fan of Squarepusher, Boards of Canada, or Madlib flip out." The alter-ego of classical and jazz pianist Kevin Gift, Wendel Patrick is rapidly making a name for himself as a producer to be recognized. His five albums, "Sound:", "Forthcoming", "JDWP", "Passage" and "Travel" were all produced without the use of samples, with Patrick playing every note of every instrument. What is perhaps most astounding and perplexing to listeners is that there are actually no instruments...he crafts all of the instruments, and every note, electronically.