© 2021 WYPR
50yrsHeader.png
Play Live Radio
Next Up:
0:00
0:00
Available On Air Stations

200 W Read Street, part 3: Tomorrow’s Not Guaranteed

The owner of a falafel stand gives a lesson in gratitude, a minimalist overcomes cerebral palsy by sheer force of will, a female boss takes the helm at a men’s barbershop, an apparel entrepreneur reflects on a family tragedy with a silver lining, and a friendly neighborhood barista whips up chai lattes and plays experimental doom metal.

Funding for podcast production provided by the Corporation for Public Broadcasting and PRX, the Public Radio Exchange. Out of the Blocks is produced with grant funding from the Cohen Opportunity Fund, the William G. Baker, Jr. Memorial Fund (creator of the Baker Artist Portfolios), Sig and Barbara Shapiro, Patricia and Mark Joseph, Jonathan Melnick, The Andy and Sana Brooks Family Foundation, The Hoffberger Foundation, Associated Jewish Charities,  The John J. Leidy Foundation, The Kenneth S. Battye Charitable Trust, and The Muse Web Foundation.

Aaron creates and produces original radio programs for WYPR. His current project is the neighborhood documentary series, Out of the Blocks, which earned the 2018 national Edward R Murrow Award. His past work includes the long-running weekly cultural program, The Signal, and the Smithsonian Folkways Recordings series, Tapestry of the Times. Aaron's stories have aired nationally on NPR's Morning Edition, All Things Considered, PRI’s Studio 360, & The World.
Wendel Patrick has been referred to as "David Foster Wallace reincarnated as a sound engineer" by Urbanite Magazine and as "wildly talented" by the Baltimore Sun. He has been referred to by XLR8R magazine as "a hip-hop producer that could easily make any fan of Squarepusher, Boards of Canada, or Madlib flip out." The alter-ego of classical and jazz pianist Kevin Gift, Wendel Patrick is rapidly making a name for himself as a producer to be recognized. His five albums, "Sound:", "Forthcoming", "JDWP", "Passage" and "Travel" were all produced without the use of samples, with Patrick playing every note of every instrument. What is perhaps most astounding and perplexing to listeners is that there are actually no instruments...he crafts all of the instruments, and every note, electronically.