Community Calendar

On View February 4 - May 16 (closed March 15 - 22)

Explore the remarkable artistic journey and cultural legacy of Lain Singh Bangdel (1919–2002), widely regarded as the “Father of Modern Art” in Nepal. This collection of paintings—spanning the 1940s to the 1980s— reflects and reframes the cultural, political, and emotional realities of Bangdel’s time and traces his evolving vision as he navigated multiple worlds: colonial and postcolonial South Asia, cosmopolitan Europe, and an emerging modern Nepal.

Gallery Hours: Monday - Saturday, 11 a.m. - 4 p.m.

Exhibition
Transformations: Lain Singh Bangdel, Art, Nepal
February 4 – May 16 (closed March 15-22)
Monday – Saturday 11 am – 4 pm
Asian Arts Gallery, Center for the Arts, Towson University
1 Fine Arts Drive, Towson, MD 21204

Explore the remarkable artistic journey and cultural legacy of Lain Singh Bangdel (1919–2002), widely regarded as the “Father of Modern Art” in Nepal. This collection of paintings—spanning the 1940s to the 1980s— reflects and reframes the cultural, political, and emotional realities of Bangdel’s time and traces his evolving vision as he navigated multiple worlds: colonial and postcolonial South Asia, cosmopolitan Europe, and an emerging modern Nepal.

This workshop provides a framework for effectively and empathetically responding to individuals at risk for or experiencing a mental health crisis. It provides an overview of the crisis cycle and outlines evidence-based strategies for intervention at each stage, including de-escalation techniques, suicide risk assessment, and safety planning. The session also explores the role of implicit bias in crisis decision-making. Emphasis is on trauma-informed, culturally responsive, and respectful approaches that promote safety, dignity, and collaboration when interacting with individuals in distress. Offers 2.0 Category 1CEUs and meets Anti-Oppressive Practice.

Brandon Woody, trumpet
Troy Long, piano
Michael Saunders, bass
Quincy Phillips, drums

Brandon Woody is a Baltimore-born, Bach-endorsed trumpeter, composer, and bandleader whose music flows from the rich lineage of Black music, including jazz, gospel, improvisation, and beyond, to explore themes of love, resilience, and community. Hailed by The New York Times and Los Angeles Times as a rising force in contemporary jazz, Woody signed with the legendary Blue Note Records in November 2024 and released his debut album, "For The Love Of It All", in May 2025. Featuring his longtime band Upendo, the album showcases Woody’s ability to craft music that is both deeply personal and universally resonant.

Rooted in Baltimore, Woody has built his career from his hometown, drawing on its vibrant creative culture and community spirit. The Washington Post described Woody’s music as “staggeringly self-assured” and “radiating warmth, purpose, and a sense of place,” reflecting both the clarity of his artistic vision and his deep connection to his community. He has performed with artists such as Terri Lyne Carrington, BADBADNOTGOOD, Danilo Pérez, Casey Benjamin, Marcus Gilmore, the Robert Glasper Black Radio Orchestra, Paul Russell, and Solange Knowles. His television appearances include Godfather of Harlem (MGM+), Lady in the Lake (Apple TV), and The Bride (Warner Bros.).

In a single room, three women slip between fantasy and reality, acting out the moments they’re too afraid to live in real life. What begins as playful role-play becomes a raw excavation of longing, connection, and the emotional legacies passed between mothers, sisters, and lovers.

Blending the sharp wit of a romantic comedy with the searching depth of an existential drama, Trinity is a lyrical, layered portrait of womanhood that’s as funny as it is fearless. As NPR so aptly put it, “Waithe’s TV shows and films are powerful empathy engines”—and Trinity brings that same emotional truth to the stage. Directed by BCS Artistic Director Stevie Walker-Webb, you’ll want to see it more than once to catch every subtle shift, every emotional turn, and every truth just beneath the surface.

Towson University composition students present a concert of original works in this collaborative concert performed by fellow students in the Department of Music.

Towson University Department of Art + Design, Art History, and Art Education Faculty present examples of their recent aesthetic concerns in a broad range of media.

Big Bang Baby transforms ancestral divinity, folklore, and science into a radiant universe of light, color, and controlled chaos. At its center are fantastical feminine figures creating universes and experiencing their own divinity. Inspired by Afro-Dominican spiritual traditions of “carrying a mystery,” as well as Native Taíno Zemi goddesses, LUSMERLIN celebrates the gift of spiritual presence and creation in women. Across pastel, acrylic and LED-lit sculptural forms, the exhibition asks: What does it mean to be stardust, to be a source of divinity?

Rob Cook - Take a Hike: Cook’s sculptures and drawings investigate recent scientific research indicating positive correlations between spending time in nature and well-being, primarily through a sustainable practice incorporating fallen trees, invasive species, and plant waste to express his ideas. Rob's mission is to inspire attendees to interact with nature and to take a hike.

Kari Miller - To Whom It May Concern: Miller explores the beauty, joy and complexities in parenting a child with a disability while working in collaboration with her daughter who has Down syndrome. To Whom It May Concern is an ongoing conversation surrounding the impact of the history of institutionalizing individuals with an intellectual and developmental disability. This immersive installation dives deeper into educational policy, practices and experiences with audio interviews from teachers, parents and former students that have a disability.

Electra Lowe - Made From Scratch: Lowe untangles the labor and rituals of home to reveal the hidden threads of gender, labor, and consumption. Using tactile materials, symbolic foods, and altered domestic objects, the installation critiques the patriarchal structures embedded in everyday rituals—specifically, who eats, who serves, and who is seen.

Teapots XI
January 10, 2026 @ 10:00 am – March 7, 2026 @ 5:00 pm

Juried by Pete Pinnell
Opening Reception: Saturday, January 10, 2026, 4:00 – 6:00 pm

Baltimore Clayworks proudly presents our 11th biannual juried exhibition, Teapots XI. The juror, Pete Pinnell, selected the functional and sculptural teapots created by emerging and established artists.