Tim Greiving
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The sound artist and composer took a deeply unique, and wonderfully successful, approach to the composing of his score for the new Jordan Peele-written horror reboot.
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Willy Wonka and the Chocolate Factory turns 50 in June, and Hook turns 30 in December. Both were shaped by the English lyricist and composer Leslie Bricusse, who remains vital and busy at age 90.
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Recovered from a career-threatening injury, Miloš Karadaglic has his sights set on two goals: finding the next great classical guitar concerto, and erasing the taboo of injuries among musicians.
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Tom Holkenborg, aka Junkie XL, is far from the first score composer to be fired from a Hollywood film. But he might be the first to get his job back.
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Aretha Franklin liked how Kris Bowers played piano at a competition in 2011. It was his big break — a fact that he says was with him while he scored a upcoming biopic about the late Queen of Soul.
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James Newton Howard has composed the music for more than 100 films: thrillers, Disney animation and big fantasy series. His latest is the Tom Hanks western, News of the World.
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Darren Aronofsky's 2000 film Requiem for a Dream spawned a musical motif that's rippled through media — and jumpstarted a new career for Clint Mansell, the composer of its haunted score.
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The film "63 Up" is the latest in a series of documentaries following a group of British children — filmed every seven years beginning when they were 7 years old. They're now 63.
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Randy Newman wrote the songs and scores for all of Pixar's Toy Story movies. As the fourth film opens on June 20, Newman reflects on his time with Woody, Buzz and friends.
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The Last Black Man in San Francisco is a whimsical elegy to a fading San Francisco. It features a score by Emile Mosseri that's exuberant and poetic, positioning music front and center in the film.