Mike Katzif
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On her new album, Thao Nguyen and her band sound emboldened and unafraid to delve into some heavy, nervy stuff.
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After a hiatus, the versatile, genre-smashing Santi White returns with a collection of playful, fun songs that reveal more of her personal voice than ever.
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The former Coral frontman's songs ache with the resignation of someone still searching for answers. Remarkably, these songs sway with a light touch, with melodies that feel lived-in and singable.
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The ambitious singer and pianist splits his new album into halves: one recorded with the New York classical ensemble yMusic and one 21-minute "Concerto For Piano And Orchestra."
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In his new band, The Black Keys' Dan Auerbach plays immersive, funky R&B and soul that's embellished with velvety harmonies, hissy tape recordings and lip-curling attitude.
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Ellen Kempner and her band document a fraught transition from childhood to adulthood — and do a great job, in part because they're still living through the process.
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What makes the band's second album truly crackle is the way Sadie Dupuis' words interlock with her band's barreling energy and turn-on-a-dime arrangements.
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Twelve albums and more than 1,500 shows into its career, Phish has never seemed more at ease embracing what it does best, while still trying to refine and reinvent its own formulas.
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Employing the help of producer John McEntire, Thomas D'Arcy's showcases his skill for merging captivating hooks with pensive self-awareness.
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Hoop crafts an eclectic concoction of troubadour folk, summery California pop and Broadway balladry. At times, the music can be introspectively nuanced, at others powerful and cinematic.