Bilal Qureshi | WYPR

Bilal Qureshi

Three years ago, a small film crew drove into the Austrian Alps in search of a remote valley. It would serve as one of the settings for Terrence Malick's vision of paradise.

"We'd taken a big, big risk when we decided to go," says the film's producer Grant Hill. "We had next to no funds. [We] felt, for some reason, we'd work that out as we went along — which, I wouldn't advise doing it again that way, but it worked. And this combination of the mountain background, the faces on the people, the weather really did — I mean, it was otherworldly."

In the new movie Atlantics, a group of young men set off on a boat for Spain from the coast of Senegal. They're fed up with their lives, and have made the fateful — and fatal — decision to sail to Europe.

But Atlantics, which won the Grand Prix at this year's Cannes Film Festival and coming Nov. 29 to Netflix, is not a movie about them. It's the story of the women they've left behind. And it's a ghost story.

During his four terms in office, former Italian Prime Minister Silvio Berlusconi redefined the norms of Italian society and created a global blueprint for political strongmen. A business tycoon who owned multiple TV channels, Berlusconi governed Italy like one of his media businesses, eventually facing multiple investigations, sex scandals and charges of corruption.

Good morning from Toronto, where the NPR Movies team has decamped for the next seven days or so, as we attend the Toronto International Film Festival, the largest film festival in North America.

In a hypnotic opening dance between two would-be lovers, the new film Birds of Passage immediately establishes that it is in no way a typical Colombian drug-war epic.

Filmmaker Florian Henckel von Donnersmarck's debut film, The Lives of Others, won the Oscar for best foreign language film in 2006, bringing the enduring trauma of Germany's recent history to international attention.

Set in East Berlin before the fall of the Berlin Wall, the film told the story of two artists who are monitored, surveilled and threatened by an East German intelligence officer. It was hailed as a groundbreaking film both abroad and in Germany for its blend of political history and cinematic drama.

In one of the first scenes in Capernaum, the camera flies above the slums of Beirut.

There is no sight of the Mediterranean Sea or the glamour of the so-called Paris of the Middle East. This is another side of the Lebanese capital.

"You're seeing dilapidated buildings, children running around playing with pieces of metals and just whatever they could find on the street, not actual toys," film critic Nana Asfour said.

For the past two decades, photographer Dayanita Singh has been the subject of exhibitions and retrospectives at museums around the world. Her poetic images of Indian family life and architecture, abandoned spaces and private moments, are the kind of classically beautiful works coveted by curators and collectors.

Foxtrot is Israel's most celebrated film of the year — and its most controversial.

It tells the story of one family grappling with the loss of their son at war. But it's also a searing critique of a society stuck in perpetual war.

Padmaavat, India's first 3-D IMAX spectacle, is a lavish, operatic Bollywood musical set in the 14th-century palaces and deserts of Rajasthan. It has elephant processions, kaleidoscopic tableaus of Indian palaces and gorgeous actors in bejeweled costumes. It was directed by one of India's most celebrated filmmakers, Sanjay Leela Bhansali, and stars one of the country's most popular actresses, Deepika Padukone.

Can something as simple as saying "I'm sorry" stop a looming war in the Middle East?

That's the premise of a new film called The Insult — it's Lebanon's entry to the Oscars. In it, a neighborhood spat pushes the city of Beirut to the brink of chaos.

Filmmaker Ziad Doueiri says he was inspired by a real-life incident. He was watering his plants on the balcony of his home in Beirut, when the water spilled out onto a construction worker below.

In recent years, films about terrorism have become their own kind of genre. They're often geopolitical thrillers or espionage dramas, but a new film from Germany takes a different — and more intimate — approach.

In the Fade, Germany's entry to the Oscars, tells the story of a survivor picking up the pieces of her broken life. German filmmaker Fatih Akin says he made the film to spotlight something terrorism stories often overlook.

Sweden is often described as one of the world's most progressive and equal societies. In a new film called The Square, things aren't as perfectly Scandinavian as they seem.

It's a satire of Sweden's cultural elite set in a modern art museum. An early scene pits an American journalist against the museum's director, and the journalist reads him a confusing, academic-sounding passage he once wrote. Filmmaker Ruben Östlund says the museum director's language is real.

For years Hollywood studios have been targeting movie audiences in India and China. In the past, they'd dub their films into local languages. Now, that strategy is shifting, and filmmakers are beginning to American stories with regional stars.

The new film xXx: Return of Xander Cage opened a week early in India — because it features one of that country's biggest movie stars, Deepika Padukone.

In the heady political maelstrom of the late 1960s, Italian filmmaker Gillo Pontecorvo released one of the most controversial and acclaimed films of modern cinema. The Battle of Algiers was a big-screen recreation of the bloody mid 1950s Algerian uprising against French rule. The film was made on a shoestring budget with non-actors recruited from the streets of Algiers. It told the story of an insurrection against colonialism from the rare vantage point of the colonized. That shift in perspective was provocative enough to lead France to ban the film on political grounds.

Filmmaker Jacques Audiard bristles when you ask him about news coverage of Europe's "refugee crisis."

"I don't think we really see migrants ... " Audiard says. "It takes a baby washed up on the beach for us to ask: What was his name? It's terrible. I wanted to give them a name; to give them a face."

Shahzia Sikander is one of the contemporary art world's most celebrated stars. She's projecting her hypnotic video installations onto Times Square billboards; she's led exhibitions at major art museums across the world; and she was recognized by the MacArthur Foundation as a "genius" fellow in 2006.

This is an introduction to NPR's Muslim Artists, Now series, which will highlight contemporary Muslim musicians, writers, painters and filmmakers, among others.

In the crowded field of postwar cinema, Satyajit Ray broke through barriers of language and culture to become the most celebrated Indian filmmaker in the West.

Last night was Empire's season finale, and at one of D.C.'s biggest Empire watch parties, a sharply dressed crowd of hundreds is huddled around every flat-screen in The Stone Fish Grill Lounge downtown.

"Here we go! Here we go! Here we go, come on everyone! Round of applause!" shouts one of the hosts for the night. "It's Empire time!"

British actor David Oyelowo has been praised for his chameleon-like ability to embody different accents and roles with confidence and ease.

In a relatively short eight years in Hollywood, the London transplant has assembled an impressive portfolio of supporting roles in films by directors Steven Spielberg, Christopher Nolan and J.C. Chandor. But it's his performance as the Rev. Martin Luther King Jr. in Ava Duvernay's Selma that has cemented his position as a leading man.

Bilal Qureshi has covered the Toronto International Film Festival for several years and, back in Washington, works for All Things Considered.