Community Calendar

PETER RABBIT AND THE
SECRET GARDEN GATE

A MET ORIGINAL

FEBRUARY 21 – MARCH 15

Step into a world of wonder, whimsy, and woodland mischief in this bold new re-imagining of Beatrix Potter’s beloved tale! Peter Rabbit & The Secret Garden Gate invites young audiences on a thrilling journey beyond the hedge, where gardens grow secrets, animals talk back, and even the smallest rabbit can change the world.

SMALL MOUTH SOUNDS

BY BESS WOHL
DIRECTED BY PETER WRAY

FEBRUARY 13 – MARCH 15

Preview February 12
ASL Interpreted Performance February 20

Six strangers find themselves at a silent retreat in the woods, each seeking connection while struggling with their own, silent, inner demons. Both awkwardly hilarious and strangely compassionate, Small Mouth Sounds asks how we address life’s biggest questions when words fail us.

In a single room, three women slip between fantasy and reality, acting out the moments they’re too afraid to live in real life. What begins as playful role-play becomes a raw excavation of longing, connection, and the emotional legacies passed between mothers, sisters, and lovers.

Blending the sharp wit of a romantic comedy with the searching depth of an existential drama, Trinity is a lyrical, layered portrait of womanhood that’s as funny as it is fearless. As NPR so aptly put it, “Waithe’s TV shows and films are powerful empathy engines”—and Trinity brings that same emotional truth to the stage. Directed by BCS Artistic Director Stevie Walker-Webb, you’ll want to see it more than once to catch every subtle shift, every emotional turn, and every truth just beneath the surface.

The holidays already are here and your shopping isn’t finished? Or even started? What to give special friends who say they don’t need anything? Church Hill Theatre has an easy and thoughtful suggestion. Consider a 2026 Season Package—with 5 tickets for the price of 4. You get to choose the plays and the dates.

The coming 2026 season opens in March with a Tennessee Williams classic, The Glass Menagerie, and closes in December with A Christmas Carol. In between, there is a great choice of musicals, comedies and more. Consider Between the Lines, an April musical featuring our talented teens, the major June production of Chicago, or the September musical Something’s Afoot, a spoof of British mystery stories. And who could pass on the spooky November show, The Transylvanian Clockworks?

This special $100 package will make a memorable gift and support a cherished local institution. And if you have been very good all through the year, consider treating yourself to an entire season of outstanding shows. This package is available through the CHT office, at 410-556-6003 or online at churchhilltheatre.org.

In a single room, three women slip between fantasy and reality, acting out the moments they’re too afraid to live in real life. What begins as playful role-play becomes a raw excavation of longing, connection, and the emotional legacies passed between mothers, sisters, and lovers.

Blending the sharp wit of a romantic comedy with the searching depth of an existential drama, Trinity is a lyrical, layered portrait of womanhood that’s as funny as it is fearless. As NPR so aptly put it, “Waithe’s TV shows and films are powerful empathy engines”—and Trinity brings that same emotional truth to the stage. Directed by BCS Artistic Director Stevie Walker-Webb, you’ll want to see it more than once to catch every subtle shift, every emotional turn, and every truth just beneath the surface.

In a single room, three women slip between fantasy and reality, acting out the moments they’re too afraid to live in real life. What begins as playful role-play becomes a raw excavation of longing, connection, and the emotional legacies passed between mothers, sisters, and lovers.

Blending the sharp wit of a romantic comedy with the searching depth of an existential drama, Trinity is a lyrical, layered portrait of womanhood that’s as funny as it is fearless. As NPR so aptly put it, “Waithe’s TV shows and films are powerful empathy engines”—and Trinity brings that same emotional truth to the stage. Directed by BCS Artistic Director Stevie Walker-Webb, you’ll want to see it more than once to catch every subtle shift, every emotional turn, and every truth just beneath the surface.

by Jen Silverman, directed by Katie O Solomon

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.

Proceeds benefit the TU Foundation.

"The Moors" is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Performances run from March 5th-7th at 7:30, March 8th at 2:00pm, March 10th at 7:30, & March 12th at 7:30.

SMALL MOUTH SOUNDS

BY BESS WOHL
DIRECTED BY PETER WRAY

FEBRUARY 13 – MARCH 15

Preview February 12
ASL Interpreted Performance February 20

Six strangers find themselves at a silent retreat in the woods, each seeking connection while struggling with their own, silent, inner demons. Both awkwardly hilarious and strangely compassionate, Small Mouth Sounds asks how we address life’s biggest questions when words fail us.

In a single room, three women slip between fantasy and reality, acting out the moments they’re too afraid to live in real life. What begins as playful role-play becomes a raw excavation of longing, connection, and the emotional legacies passed between mothers, sisters, and lovers.

Blending the sharp wit of a romantic comedy with the searching depth of an existential drama, Trinity is a lyrical, layered portrait of womanhood that’s as funny as it is fearless. As NPR so aptly put it, “Waithe’s TV shows and films are powerful empathy engines”—and Trinity brings that same emotional truth to the stage. Directed by BCS Artistic Director Stevie Walker-Webb, you’ll want to see it more than once to catch every subtle shift, every emotional turn, and every truth just beneath the surface.

by Jen Silverman, directed by Katie O Solomon

Two sisters and a dog live out their lives on the bleak English moors, dreaming of love and power. The arrival of a hapless governess and a moor-hen set all three on a strange and dangerous path. The Moors is a dark comedy about love, desperation, and visibility.

Proceeds benefit the TU Foundation.

"The Moors" is presented by arrangement with Concord Theatricals on behalf of Samuel French, Inc. www.concordtheatricals.com

Performances run from March 5th-7th at 7:30, March 8th at 2:00pm, March 10th at 7:30, & March 12th at 7:30.