Community Calendar

Santa Claus Is Comin' is a dazzling, family-friendly musical celebration by Nygel D. Robinson and Ken-Matt Martin, the powerhouse performer and co-creator of our breakout hit Mexodus. Packed with heart and groove, this spirited show features classic holiday favorites, reimagined with the unmistakable sound of Motown legends--from The Supremes to The Jackson 5.

Whether you're bringing kids, coworkers, grandparents, or that one cousin who lives for a dance break--this is the holiday party you don't want to miss.

This holiday season, Gregory Burgess once again brings Ebenezer Scrooge to life on the CSC stage as we celebrate over a decade of A Christmas Carol! Journey through Victorian Baltimore in this local reimagining of the beloved tale. Join us for a heartwarming experience that blends tradition, community, and the magic of the season — perfect for audiences of all ages.

The show runs November 29-December 23. There is only one Thursday, Monday, and Tuesday performance: December 18, December 22, and December 23 at 7:30 PM. The Saturday, Saturday 6 performance is at 2 PM.

What if "A Christmas Carol" was written about America's greatest writer of horror and suspense?

That's the idea behind "A Christmas Carol for Edgar Allan Poe." This brand-new play was commissioned by The National Edgar Allan Poe Theatre and written by Zac Pensol -- both past winners of The International Edgar Allan Poe Festival "Saturday Visiter" Award. The show opens on December 5 for 12 performances, closing December 21.

“A Christmas Carol for Edgar Allan Poe” will be performed at Baltimore’s Motor House Theater (120 W North Ave, Baltimore, MD 21201), and is made possible in part by a grant from the Baltimore Office of Promotion and the Arts, Creative Baltimore Fund.
Tickets are available on www.poetheatre.org or https://ticketstripe.com/events/592107736357896

The holidays already are here and your shopping isn’t finished? Or even started? What to give special friends who say they don’t need anything? Church Hill Theatre has an easy and thoughtful suggestion. Consider a 2026 Season Package—with 5 tickets for the price of 4. You get to choose the plays and the dates.

The coming 2026 season opens in March with a Tennessee Williams classic, The Glass Menagerie, and closes in December with A Christmas Carol. In between, there is a great choice of musicals, comedies and more. Consider Between the Lines, an April musical featuring our talented teens, the major June production of Chicago, or the September musical Something’s Afoot, a spoof of British mystery stories. And who could pass on the spooky November show, The Transylvanian Clockworks?

This special $100 package will make a memorable gift and support a cherished local institution. And if you have been very good all through the year, consider treating yourself to an entire season of outstanding shows. This package is available through the CHT office, at 410-556-6003 or online at churchhilltheatre.org.

This focus exhibition of 10 works explores the relationship between burning fossil fuels—namely, coal—and the emergence of European modernism. Drawing on research conducted by climate scientists and art historians, the exhibition presents a range of paintings and works on paper by Henri Matisse, Claude Monet, James McNeill Whistler, and others to explore the ways that their artistic practices and style emerged, in part, in response to widespread pollution in London and Paris.
Presented as part of the Turn Again to the Earth environmental initiative.

More than 50 works on paper investigate how artists working in Europe and French-occupied northern Africa watched and participated as nature became a resource for people to hoard or share.

Drawn from the BMA’s George A. Lucas Collection, this exhibition of 19th-century art foregrounds the many ways that human relationships, including imperialism and capitalism, affect the environment. Deconstructing Nature is organized thematically, focusing on five environments and the ways artists explored them in their work: The Desert, The Forest, The Field, The City, and The Studio.

Born and raised in Baltimore, George A. Lucas (1824–1909) spent most of his adult life immersed in the Parisian art world and amassed a personal collection of nearly 20,000 works of art. In 1996, the BMA, with funds from the State of Maryland and the generosity of numerous individuals in the community, purchased the George A. Lucas Collection, which had been on extended loan to the Museum for more than 60 years.

In this focus exhibition of approximately 20 photographs, prints, drawings, and textiles, the natural environment is a source of creative inspiration worth celebrating and protecting.

Works by artists such as Winslow Homer, Richard Misrach, Charles Sheeler, and Kiki Smith, among many others, depict the elements of air, water, earth, and fire and address broader themes of ecological awareness and preservation. These themes range from how artists have used visual language to convey the act of locating oneself in nature; works that depict natural forms through the physical integration of environmental components; and artists’ commentary on sites of environmental disaster, the sociopolitical ramifications of human impact, and the potential of symbiotic healing for this planet and its occupants.

For thousands of years, East Asia’s cultures have viewed human life as part of a much larger system that encompasses the natural world. Drawn from the BMA’s collection, this exhibition boasts more than 40 objects—from magnificent ink drawings to beautifully crafted stoneware and poignant contemporary photographs and prints. They bring into the galleries the mountains and seas, wild and supernatural animals, and plant life that are extensive across East Asian imagery and often carry symbolic meaning.

Works on view include robust 13th-century ceramic vessels, delicate porcelain, carved jade, intricately sewn textiles, and large-scale photography; collectively, these artworks represent the impulse to fully understand the natural world as foundational to our existence, as shaped by human life, and as an enduring metaphor of survival.

Junie B. in Jingle Bells, Batman Smells
by Alison Gregory
Directed by Julie Herber

Run time: Around one (1) hour with no intermission
This show is appropriate for audiences of all ages.
ASL Interpreted performance: please reach out to the Box Office (301-694-4744 / [email protected]) to schedule an interpreter.

About: Junie B. Jones, first-grader, is super-excited about the upcoming Holiday Sing-Along and Secret Santa gift exchange at ehr school. Too bad tattletale May keeps ruining all of Junie B.'s fun. SO, when Junie B. draws May's name for Secret Santa, she comes up with the perfect plan to teach her nemesis a lesson!

Junie B. in Jingle Bells, Batman Smells
by Alison Gregory
Directed by Julie Herber

Run time: Around one (1) hour with no intermission
This show is appropriate for audiences of all ages.
ASL Interpreted performance: please reach out to the Box Office (301-694-4744 / [email protected]) to schedule an interpreter.

About: Junie B. Jones, first-grader, is super-excited about the upcoming Holiday Sing-Along and Secret Santa gift exchange at ehr school. Too bad tattletale May keeps ruining all of Junie B.'s fun. SO, when Junie B. draws May's name for Secret Santa, she comes up with the perfect plan to teach her nemesis a lesson!