Community Calendar

Celebrating the 1962 classic album Very Tall by Milt Jackson & Oscar Peterson Trio with Ray Brown & Ed Thigpen!

Peter Beets, piano
Warren Wolf, vibraphone
Herman Burney, bass
Willie Bowman, drums

Renowned for his deep swing feel, masterful phrasing, and blues-infused touch, Dutch jazz pianist Peter Beets returns to Keystone Korner! With a career that includes collaborations with jazz greats like Chick Corea, Wynton Marsalis, Elvin Jones, George Coleman, Johnny Griffin and Benny Golson, and accolades such as the Prix Martial Solal and multiple Edison Jazz Award nominations and one win (Netherland's Grammys), Beets is celebrated for his electrifying performances and inventive reinterpretations. Besides his continuous work on playing in trio setting, Peter founded a big band with young professionals, called the New Jazz Orchestra. Downbeat hails Peter as “straight ahead excellence. A world class jazz act.”

EVERY BRILLIANT THING

BY DUNCAN MACMILLAN and JONNY DONAHOE
DIRECTED BY TAD JANES

MAY 15 – JUNE 14

Preview May 14
ASL Interpreted Performance May 22

At once a transcendent coming-of-age tale and a call to reach out to each other, Every Brilliant Thing is a warm-hearted, hilarious, heart-wrenching play about how depression can affect a family, and the lengths we will go for those we love.

Music Director Jonathon Heyward leads a journey through the British musical landscape, including the Coleridge-Taylor Violin Concerto, Elgar Enigma Variations, and Smyth Overture to The Wreckers. Featuring Elena Urioste (violin).

This concert repeats at the Joseph Meyerhoff Symphony Hall on May 29, 2026 at 8PM and May 30, 2026 6PM

For additional information visit www.BSOmusic.org, contact Patron Support via email at [email protected], and by phone at 410.783.8000 or toll free at 877.276.1444.

From the 1960s to the 2020s, Baltimore philanthropists Sigmund and Mary Hyman assembled a major collection of American art, with a particular focus on modernists of the Ashcan School. In partnership with BMA curators, the Hymans gifted a carefully selected group of important works to the Museum—a gift completed in 2024 following the passing of Mary Hyman, a longtime Trustee.

Featuring paintings, sculptures, works on paper, and a textile, Seeing the Essential: The Sigmund M. and Mary B. Hyman Collection of American Art explores defining themes of the Ashcan movement, including urban life, architecture, interiors, the figure, and portrayals of artists and performers. The exhibition also highlights an exceptional group of works by John Sloan, a leading figure of the movement.

Experience the legendary tale of the Titanic like never before with Titanic: An Immersive Voyage. Featuring more than 300 artifacts, life-sized reconstructed rooms, 3D views, video animations, and state-of-the-art technology, this immersive experience offers a riveting and emotional journey through one of history’s most iconic tragedies. From the ship’s grand construction to its fatal collision with the iceberg, you’ll get to fully immerse yourself in the Titanic's captivating story. Wander through its lavish halls, watch the iceberg appear, and relive the ship’s dramatic final moments in an immersive gallery. Plus, with a virtual reality exploration of the Titanic’s wreck site more than 2.5 miles deep into the ocean, it promises to be a retelling of the Titanic story like no other.

When was the last time you unplugged?

Disconnect, slow down, and rediscover what it means to be present inside the BMA’s historic Spring House, where acclaimed American conceptual artist Rachel Lee Hovnanian presents the Nature Deficit Disorder immersion room this spring. The powerful installation challenges our digital dependence and rekindles our connection to the natural world.

Inspired by journalist Richard Louv’s term “nature deficit disorder,” described as a growing disconnection from nature, often linked to diminished focus and negative moods, Hovnanian transforms the Spring House into a simulated nighttime forest.

“My work has long explored how technology shapes attention, mental health, and human connection. This installation emerged from my observations of society’s growing digital dependence, alongside my own experience of it.” –Rachel Lee Hovnanian
Away from the constant ping of notifications and endless scrolling, surrender your phone, surround yourself with fir trees, and let lantern light guide you. Hear the crunch of leaves beneath your feet and watch the flicker of a campfire casting shadows across the room.

In a world where we check our phones every other minute, Hovnanian invites you to linger for at least five minutes in the immersion room and consider what is lost when we give our attention to apps and devices rather than real-life experiences.

“What do we lose when our lives are constantly mediated by screens? I hope to offer a pause—an invitation to rediscover how it feels to be fully present.” –Rachel Lee Hovnanian

Between 1946 and 1953, Henri Matisse created 28 lithographic portraits for Poésies Antillaises (Antillean Poetry), a book of poems by John-Antoine Nau. Published posthumously in 1972, this rare volume remains one of Matisse’s least-known illustrated works.

Inspired by his brief 1930 visit to Martinique, Matisse translated Nau’s evocative poems—celebrating travel, music, and oceanic landscapes—into vibrant portraits. These reflect the artist’s collaborations with notable Caribbean and international models and are presented alongside works by two leading artists from Martinique and Guadeloupe, Germaine Casse and Serge Hélénon. This focus exhibition illuminates aspects of the transatlantic artistic circles active during the late French colonial period.