In Anouar Brahem's native Tunisia, the oud is known today mainly in the context of loud and large ensembles that leave it all but buried in a dervish of sound. But Brahem highlights the stringed instrument in a delicate, often introspective context. On his new CD Le pas du chat noir, the oud is part of an unlikely trio including piano and accordion. He talks with NPR's Liane Hansen.
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